Sunday, June 20, 2010
Sunday, May 9, 2010
Ghost Bike Press has a web designer. She's from Ohio, but currently living in San Francisco and working for the all mighty Google.
Expect it to be up by the end of the summer and taking submissions! I can't wait.
Also, it's almost summer. I can taste it.
Thursday, April 29, 2010
"Good Warm Sad Blood
Spilling Out in the Forest"
A conversation with Heather Christle, Hannah Gamble, Matthew Rohrer, Zachary Schomburg, and Matthew Zapruder.
Check out Gulf Coast's conversation (here) with these fine poets. This is probably one of the best conversations I’ve ever read about “surrealist” or “absurdist” poetry. These contemporary and extremely influential poets tell all, and explain the misused term “surrealist.” They’re searching for a new term and I like that idea. Comparing their work to French surrealists is awfully confident on what their work might represent. I vote for something comparable to film terms, “The New-Absurdist” or “Post-French Surrealism” or “New American-Surrealism.” These are all extremely silly, but it’s fun to try and think of something new.
Thursday, April 22, 2010
Wednesday, April 21, 2010
I’ve given a short listen to the new 65daysofstatic and it’s still definitely no One Time for All Time, but it seems to be acknowledging that there past LP and few EP’s have been really disappointing. Maybe this is just my infantile brain trying to understand electronic music, but they’ve really been slacking and I think it’s because One Time for All Time is just completely the epitome of epic. However, We Were Exploding Anyway (2010) does try to gain that archetype again, and they even added Robert Smith from The Cure to one of their songs. I think I just really miss the fact that a lot of guitars were driven with the beats in OTFAT, while their newest record seems to be filling that void with more beats, and more synth. At least their cover art is unbelievable. My favorite of 2010 so far (artwork wise). Help me out on this…
Wednesday, April 14, 2010
Tonight we will be discussing Rear Window (1954) for History of Narrative Film. Here are some of my broad questions about the film. What do you think?
In the film Rear Window, does Alfred Hitchcock create several narratives by making the audience “peeping toms” as well? Does Hitchcock use Jeffries character as a parallel to the audience? It seems that we are as much interested in the lives of these characters as Jefferies. The rise of the story is through Lars Thorwald’s actions and through the narratives of the other neighbors. Do we become obsessed with Thorwald as much as Jefferies? Do Jefferies and Lisa represent the characters of Mr. and Mrs. Thorwald? It seems that everything is fine before he murders his wife, and the same applies to Jefferies and Lisa’s relationship. Jefferies attitude towards Lisa is a lot like Thorwald, because as Thorwald becomes overwhelmed with caring for his wife, Jefferies becomes weighed down by the idea of marrying Lisa. It’s also interesting to think of the comparable Lisa taking care of Jefferies as Mr. Thorwald cares for his wife. Their characters are all very similar and I think that it’s possible the film could be told from any narrative to drive a story, but the one we have with Lisa and Jefferies solves a murder.
Monday, April 12, 2010
Denver was a blast. The Rockies game was great, their local beer was delicious, and I met some pretty damn good writers.
Back home and ready to send out my chapbook. This is an amazing feeling/accomplishment for me and I think I want to start working on another. Maybe I should spend a little more time on my thesis?
Tuesday, April 6, 2010
Oh, brother. I've been slacking again. I'll be heading to Denver on Wednesday and you can find me at the Oyez Review table on Thursday 2-5pm, and Saturday 2-5pm. Then on Saturday night, you can catch me at the Rockies game. It is a dying wish to visit every stadium and ballpark in the MLB. Speaking of the MLB, yesterday was opening day, a tradition is Cincinnati like no other. My brother, father, and I are notorious for skipping work/school to watch the game like so many other Cincinnatians do. I have good vibes about this year although we started off the season getting crushed 11-6. I believe Albert Pujols is a machine. No human parts, just robot parts.
I'm also extremely dedicated to Fantasy Baseball. I'm apart of a Keeper, 11 team National League only group. My team goes really deep, but I have a good feeling about this team as well.
Hernandez, Ramon C CIN
Ruiz, Carlos C PHI
Cantu, Jorge 1B FLA
Weeks, Rickie 2B MIL
Rolen, Scott 3B CIN
Escobar, Alcides SS MIL
Renteria, Edgar SS SF
Loney, James 1B LA
Bay, Jason LF NYM
Dickerson, Chris LF CIN
Ethier, Andre RF LA
McCutchen, Andrew CF PIT
Velez, Eugenio LF SF
Ross, Cody CF FLA
Arroyo, Bronson SP CIN
Coffey, Todd RP MIL
Dotel, Octavio RP PIT
Maine, John SP NYM
Parra, Manny SP MIL
Rhodes, Arthur RP CIN
Santana, Johan SP
Wells, Randy SP CHC
Reyes, Jose B. SS NYM
Matthews, Gary CF NYM
Kawakami, Kenshin SP ATL
Maholm, Paul SP PIT
Wang, Chien-Ming SP WAS
Johnson, Chris 3B HOU
Frazier, Todd OF CIN M
Francisco, Juan 3B CIN
Kieschnick, Roger LF SF
Mayberry, John LF PHI
Chacin, Jhoulys RP COL
West, Sean SP FLA
See, I wasn't kidding. Live auction drafts are extremely fun.
Friday, March 26, 2010
If your little poetic or fictional heart desires, head out to Uncommon Ground in Chicago tonight to talk about submissions and query letters to literary journals via Roosevelt's MFA group Serif.
We're glad to have anyone in or outside Roosevelt's MFA program in attendance. Good luck to everyone on their submissions. There's a lot going right now and a lot of us getting our work out there. Let us all give each other a pat on the back for our hard work!
March 26th, 2010
Thursday, March 25, 2010
Wednesday, March 24, 2010
We’re reviewing Modern Times in my History of Narrative film course. This is one of my favorite Chaplin movies. I think he gets arrested about six times. This is one of my favorite scenes. Skip to about 5:00.
Also, check out my favorite modern poet Hart Crane, and see what he has to say about Chaplin.
by Hart Crane
We make our meek adjustments,
Contented with such random consolations
As the wind deposits
In slithered and too ample pockets.
For we can still love the world, who find
A famished kitten on the step, and know
Recesses for it from the fury of the street,
Or warm torn elbow coverts.
We will sidestep, and to the final smirk
Dally the doom of that inevitable thumb
That slowly chafes its puckered index toward us,
Facing the dull squint with what innocence
And what surprise!
And yet these fine collapses are not lies
More than the pirouettes of any pliant cane;
Our obsequies are, in a way, no enterprise.
We can evade you, and all else but the heart:
What blame to us if the heart live on.
The game enforces smirks; but we have seen
The moon in lonely alleys make
A grail of laughter of an empty ash can,
And through all sound of gaiety and quest
Have heard a kitten in the wilderness.
Tuesday, March 16, 2010
It was a very good second day of Spring Break, and it’s not over yet. My dear friend from the days of Bowling Green State University, Tyler Jones, is once again joining forces to play music with me. We started a band at the beginning of January with my roommate Brandon, and classmate Mario and got a good list of songs down. Now we’re going to try something new and hope for it to stick. It’s definitely a duo, but Tyler is used to the style because he was in the band Man Duo, which was of course very awesome. I hope we can get some songs up soon. They’re really heavy. I like heavy. Like whale heavy.
I’m trying very authentic Indian food tonight. I’m excited, but we’ll see how that goes. Pictures to come.
Monday, March 15, 2010
Today is the first day of Spring Break. No palm trees or gambling for me, but I do plan on getting a lot done. First thing is to get some writing done and secondly, I’m hoping to get some music recorded. I used my last Spring Break 2K9 to record this. It was a lot of fun and now that I have my own 8-track, and I plan on getting busy with some tunes. I’ll let you hear what’s going on as soon as it gets moved to my computer.
Spring is easily my favorite season and I’ll start off this year’s Spring Break with a trip to Sam’s Chicken and Rib off Grandville. This place has amazing BBQ and their chicken wings are fantastic too. I might have a problem, but I wish everyone else who is on Spring Break to enjoy this time as well.
Friday, March 12, 2010
I’m taking a look ahead at AWP 2010 in Denver. I’m excited. A lot of poetry will be going on Thursday and here are a few of the panels I’m really interested to see. Several people ask me what the hell is AWP? Well, I usually just tell them imagine Comic Con, or Lollapalooza, but with a lot of bookworms and poets and writers who all usually like to drink together and read their work or talk about something ridiculous. (Example: see Bird Panel) It will be the first time going to Denver since I was 10. Treat me well Denver. I hope to explore a lot of your good crafty beers. See you in April.
R103. Inside the Box: Prose Poets on Form and Influence. (Gary L. McDowell,John Bradley, David Shumate, Maurice Kilwein Guevara, Kathleen McGookey,Brigitte Byrd) Why do poets pursue prose poems? What about the form attracts and commands the attention of poet and reader alike? Through various influences and experiences, many poets from different schools of poetry have found their way to the prose poem. Five contributors to The Rose Metal Press Field Guide to Prose Poetry: Contemporary Poets in Discussion and Practice (March 2010) will discuss how the prose poem has become abmeaningful part of their poetic lives and read from their work.
R112. The Poets Guide to the Birds: A Reading. (Peggy Shumaker, Keith Ratzlaff, Patricia Kirkpatrick, David Huddle, Rick Campbell, Holly Hughes) A raft of auks, a quarrel of sparrows, a scold of jays, a cast of falcons. Judith Kitchen and Ted Kooser have edited a soaring collection—contemporary poems that focus on birds. Six poets will read poems from west of the Continental Divide. You'll hear poems from Alaska, Hawaii, Arizona, California, Idaho, Oregon, Washington, and our AWP Conference host state, Colorado.
R184. How to Start Your Own Online Literary Magazine: Five Editors Tell All. (Rebecca Morgan Frank, Michael Archer, Thom Didato, Gregory Donovan, Ravi Shankar) Have you dreamed of starting your own online literary magazine? Join the editors of Blackbird, Drunken Boat, failbetter, Guernica, and Memorious, five longstanding and respected online journals, as they share the ins and outs of developing and sustaining a literary journal on the web. Come hear about the unique advantages and challenges of editing in this expansive medium, and learn pointers for financing, marketing, and managing the technical challenges of a web‐based journal.
R191. The Soundtrack of the Poem. (Tim Kahl, Forrest Gander, Kristin Prevallet, Brandon Cesmat, Rodrigo Toscano) This panel will discuss the juxtaposition of music with text to elucidate the sonic qualities of work on the page. Exploring how music is foregrounded in a text, we will investigate emphasizing melody, pitch, pacing, rhythm, and counterpoint to instrumentation, and connect those qualities to the creation of meaning and emotion. Does music and language produce modes of consciousness that are therapeutic? Has multimedia's emphasis on musical qualities reasserted the primacy of music in literature?
Thursday, March 11, 2010
This will be my new blog. It will dazzle and delight you. I thought my other blog was a bit too personal for what I had originally intended using it for. Hopefully, someday I can start Ghost Bike Press, and start reading manuscripts for poetry chapbooks, and create an online journal to go along with it. I’ll keep you updated with that. I need a website first, but blogging will hopefully start this. Like my last blog, expect movie reviews, book reviews, maybe some cooking ideas, hopefully a lot of photos, and updates on my writing. For the very few of you who read this, I apologize for switching to the new blog. I really intend for this one to be a lot better, and updated a lot more.
For now, I have big news. The third and final Oyez Review reading for issue 37 will take place tomorrow at The Book Cellar in Lincoln Square at 7:00pm. Lydia Cesarz, Susan Slaviero, and I will be reading, so come out and have a beer, and get your face melted once again with some tasty poetry.
The Book Cellar
4736-38 North Lincoln Avenue
Friday, March 12, 2010
7:00pm - 8:00pm